Morning Star
An Opera in Two Acts
Libretto by William F. Hoffman
Published by Theodore Presser Company
Duration: 150 min.
Voices: 4 Soprano, 3 Mezzo-soprano, 3 Tenor, 2 Baritone, 1 Bass-Baritone, 1 Boy (13 yrs. old, 1 spoken roles)
Instrumentation: 2(2 dbl. Picc.) 1(dbl. E.H.) 3(3=B.Cl., dbl. Cl.) – 2 2 2(B.Tbn.) 0; Timp. 2Perc. Pno/Cel. Str. (6.5.4.3.2)
Premiere: June 2015; Cincinnati Opera; First Workshop, 2002, Lyric Opera Of Chicago Opera Studio, Chicago, IL; Second Workshop, 2012/2015 Opera Fusion, Cincinnati Opera and Cincinnati Conservatory of Music
Commission: Commissioned by the Cincinnati Opera
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Notes
The title aria tells us “Morning Star” refers to Venus and is a metaphor for love and hope. Based on Sylvia Regan’s play and on parallels with the composer’s own family, Morning Star is a deeply touching character piece about life among Jewish immigrants in New York City’s Lower East Side. Hope blossoms and is dashed as the Triangle Shirtwaist Factory fire of 1911, World War I, and the Great Depression lead to death, divorce, and despair. Through it all, William M. Hoffman’s colorful libretto and Ricky Ian Gordon’s engaging score maintain charming threads of love and optimism, comedy amid tragedy, and luscious sonorities featuring a large cast of singers – in English, Yiddish, Italian, and Haitian French. The two-act opera is 2½ hours in duration.
Press
Chicago Tribune (John von Rhein, 2 July 2015)
Cincinnati.com (Janelle Gelfand, 28 June 2015)
Cincinnati Magazine (Kathleen Doane, 7 July 2015)
City Beat (Anne Arenstein, 24 June 2015)
Classical Voice North America (David Patrick Stearns, 25 March, 2018)
Express Cincinnati (Ray Cooklis, June 2015)
Forbes (Jane Levere, 25 March 2018)
Musical America (Bruce Hodges, 26 March 2018)
New York Classical Review (Eric C. Simpson, 22 March 2018)
New York Music Daily (22 March 2018)
NPR: Deceptive Cadence (Naomi Lewin, 25 March 2018)
New York Classical Review (George Grella, Eric C. Simpson and David Wright, 24 December 2018)
NY1 (Stephanie Simon, 19 March 2018)
Oakwood Register (Burt Saidel, June 2015)
Opera News (Joe Law, September 2015)
Playbill (Damian Fowler, 22 March 2018)
Seen and Heard International (Rick Perdian, 29 March 2018)